the
STORY
Set against the backdrop of Toronto’s vibrant and urban landscape, Butterfly on a Wheel follows Jacen Davis (Curran Walters) as a gifted young musician struggling to keep up with daily life due to his OCD and anxiety. Studying jazz at the prestigious Royal Conservatory of Music, Jacen hopes to one day conquer his fears and perform to a live audience at the illustrious Koerner Hall. While playing alone one afternoon, a chance encounter with fellow student Sorrel (Brielle Robillard) sets in motion a transformative journey that will shape Jacen’s perception of the world around him, and with the support of his brother Dylan (Michael Provost), hopes to re-discover his most authentic self.
Butterfly on a Wheel marks the directorial & screenwriting debut of
2-time Emmy® winning TV & Film composer Trevor Morris.
Curran Walters & Michael Provost
meet
the CAST
Brielle Robillard & Curran Walters
meet
the crew
Writer, Director, Composer | Trevor Morris
Producer | Susan Cooper
Producer | Jim Seibel
Associate Producer | Isaias Garcia
Line Producer | Jennifer Haufler
Line Producer | Justin Kelly
Executive Producer | John Rakich
Co-Producer | Scott Drucker
Casting | Rick Montgomery
Director of Photography | Scott McClellan
Camera | James Poremba
Assistant Director | Patrick Hagarty
Editor | Aaron Marshall
Sound | Rob Beal
Production Manager | Jack McGuire
Locations | Nikhil D’Souza
Production Design | Claudia Dall’Orso
Costume Design | Marie-Elyse McGuire
Hair Stylist | Tamara Harrod
Makeup Artist | Andrea Heldman
Public Relations | Kailey Williams
Director Trevor Morris
director’s
STATEMENT
Butterfly on a Wheel is a love letter to our authentic self, to our own personal truth. The script began initially as a journal entry while I was coming out of the most difficult year of my life. I asked myself “ok, start at the beginning, what is good about your life?”. The answer was without question sitting in my grandmother’s lap while she played Puff the Magic Dragon for me on piano as a child. Her singing into my ear, like a secret. It was my introduction to music, which would become a life long passion, and the warmest memory I have of feeling seen and unconditionally loved.
That journal entry became the opening scene for the movie.
Although semi-autobiographical, the movie is deeply personal to me in its exploration of mental health issues, insecurity and anxiety and the search for our own true authentic voice. That question, that search has taken me most of my life to answer. The human condition is an enduring focus of mine, and with this movie I wanted to explore the theme of how we all manage to “get in our own way”, and what does it take to get past that very thing. We all struggle, we all doubt ourselves, and with the advent of social media human beings can now compare our internal reality to other peoples external reality, which is often a sensationalized highlight reel. A recipe ripe for the creation of crippling self-doubt.
This theme is explored through our protagonist Jacen, a gifted musician making his way through life with OCD, ADD, and anxiety. Even his musical gift makes him feel alienated from the “normal” way most people live. Jacen’s search for human connection, for love, and the courage to share his gift with others, resonates deep into the soul of what it means to be human.
The title of the movie is my play on an epistle from Alexander Pope in 1736. The sheer amount of force and energy often required to accomplish something small or even insignificant. It’s the greatest metaphor for the human condition I can think of.
Writing, directing and composing the music for this movie was cathartic for me in many ways. It’s my hope that everyone can see a bit of themselves in Jacen, even if they don’t share his condition. That we can all recognize ourselves in him and his journey, and learn to celebrate our differences.
If we can listen to and heed our true self, our authentic self, we can set ourselves free.
film